Media, Identity and the Popular Essay Example | Topics and Well Written Essays - 3000 words

Media, Identity and the Popular - Essay Example Given the force, degree, and effort of well known media †including movies and TV, the social development of characters having a place with racial and ethnic minorities will undoubtedly significantly affect the more extensive crowd (Downing and Husband, 2005). Signorielli (2001) portrayed TV as the nation’s essential narrator (p. 36) occupied with the job of persistently 'taking care of' its crowd with solid portions of what can be understood as 'standard' sees (Gerbner et al., 2002). The portrayal of racial and ethnic minorities in movies and TV, consequently, is a basic subject of examination and should be investigated in light of the fact that the sheer degree of media outreach and the quantity of fervent watchers these types of well known media draw in nearly guarantee a more prominent social effect over some undefined time frame (Mastro and Greenberg, 2000). This article intends to feature, investigate, and break down the way in which these mainstream mechanisms of co rrespondence especially movies and TV depict racially and ethnically various characters; the progressive move in such depictions after some time; trailed by the impact and effect of the equivalent upheld by hypothetical ramifications of such portrayal. The models talked about as a piece of the investigation incorporate famous movies and network shows from the UK, U.S., and Canada. Media portrayal of racial/ethnic minorities: An Overview Hall (1981) expressed that media as a key apparatus of engendering belief systems frequently utilizes the stage to produce portrayals of the socio-social condition around us by method of pictures and characters. These characters thus emphasize the comprehension of its crowd concerning the way where the world around is and impact them to decipher the messages coded in that with respect to the individuals from the racial and ethnic minorities. The diligent depiction of such pictures leads such characters and/or pictures to become naturalized empowering the watchers to comprehend these pictures and characters in the manner they are depicted (p. 11). Social scholars concentrated on exploring social and racial portrayals in famous media have recognized the depiction of 'whiteness' as the prevailing topic and as a vital talk. The pictures and characters related with the predominant white populace are frequently characteristic of their favored status in the two movies just as on prime time network shows and/or dramas. It is additionally regularly contended that 'whiteness' is frequently the most predominant and overall standard against which every single other race are estimated and looked at (Ott, 2010: p. 139). African-Americans have reliably been under-spoken to when contrasted with their white partners in movies and TV programs in the United States (Wilson, 1996; Dixon and Rosenbaum, 2004). In spite of the fact that there has been an exemplary and sensational change in pattern concerning depiction of racial and ethnic minorities o n TV programs and movies throughout the years, the blacks keep on being either under-spoke to or depicted in characters/jobs that will in general propagate and even increment generalizing (Dill, 2013: p. 253). A large portion of the mainstream network shows circulated during the earlier decade frequently included Caucasians as key heroes with supporting

Curious George And The Man In The free essay sample

Yellow Hat Essay, Research Paper Through various challenges Companions are valued the most in the midst of interest. They quiet you down when you are focused and comfort you when you cry above all and chief they are at that place when you get in issue. A pair of companions that are reflecting representations of housing together in the midst of issue are Curious George and the Man in the Yellow Hat. We will compose a custom paper test on Inquisitive George And The Man In The or on the other hand any comparable subject explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page No issue what kind of issue Curious George got into the Man in the Yellow Hat was ever at that spot to rescue him. There were ordinarily when George has someway gotten himself into issue. For situation when he and the Man in the Yellow Hat went downtown. As they were strolling by shops Curious George recognized a shop brimming with little oddities. The entirety of the oddities entranced George so much that he couldn # 8217 ; t challenge taking an articulation inside so he strayed from the Man in the Yellow Hat. Not long after he entered the shop he started to play with everything in sight and all that he got was crushed before he set it spirit down. The storekeeper at last spotted George and saw all the things he had broken. In spite of the fact that George was extremely remorseful the storekeeper demanded being paid. A little piece delinquently the Man in the Yellow Hat came in looking truly hound tired and said he had been searching for George everywhere. George started to explain his bind to the Man in the Yellow Hat and the Man in the Yellow Hat offered to pay for everything. What George didn # 8217 ; T realize all things considered is that the Man in the Yellow Hat paid for the amendss with the cash he had been rescuing up for another chapeau that he needed actually harshly. This contacting inviting relationship goes the two different ways all things considered. For delineation when the Man in the Yellow Hat went to work one twenty-four hours and overlooked his satchel. On this impossible to miss twenty-four hours George should go on a field trip that he had been hanging tight a truly long clasp for however he chose to pass on the Man in the Yellow Hat his folder case then again. George needed to look for business area for a considerable length of time to happen where the Man in the Yellow Hat worked. At the point when he in the long run arrived the Man in the Yellow Hat disclosed to him he didn’t require the satchel that twenty-four hours yet he would buy George some ice pick for demoing such endeavor and being such an old buddy. There are times by the by when things go seriously for these two. A specific example of this rings a bell when they were searching for presents for one another one Christmas. The Man in the Yellow Hat realized that the thing George needed the most was a coat for his teddy bear. In any case, he had no cash so he chose to sell his yellow chapeau for the cash cognizing how upbeat George would be with the coat. George was other than out looking for a present for the Man in the Yellow Hat and he realized that his companion needed a lash to keep up his chapeau from tumbling off. Tragically George had no cash so he sold his teddy bear to pay for the lash. At the point when Christmas twenty-four hours came and the two saw what they had accomplished for one another they concluded that all they required was each other # 8217 ; s well disposed relationship since that was the best endowment of all. These two companions have done about everything for one another and non thought twice about it for a moment. They are chief outlines of what companions ought to be and how they should move. These two extraordinary companions have ever been at that place for one another and had stayed through middle and slim.

DCs Young Animal Round-up, Part One

DCs Young Animal Round-up, Part One Over the past and next few weeks, DCs new imprint Young Animal is launching a number of new titles. Charles Paul Hoffman and I  are sharing our thoughts on each comic in a back and forth discussion. First up: Doom Patrol #1+2 and Shade The Changing Girl #1. Doom Patrol: From Doom Patrol #1 by Gerard Way, Nick Derington, and Tamra Bonvillain CPH: Okay, confession time. Before the Young Animal launch, I had never read any of these books before, and had never even heard of Cave Carson. (Mother Panic is all new, right?) So, I have been going into these totally blind. And… it’s definitely been an experience. Issue #1 starts off normal enough, with Casey Brinke’s life as an ambulance driver, but it quickly veers far off into the absurd. Not just the tiny society living on her partner’s gyro, but the single page “What’s Going on with Niles Caulder” aside (there’s another in the second issue), the fast food franchisers from outer space, the singing-dancing new roommate who accidentally blows up Casey’s old roommate… As I finished the issue, I had a serious “WTF did I just read” sensation. So, of course, I proceeded right on to issue #2, which was totally more of the same. There’s a plot here, but it’s buried underneath what feels like a comic script written by Hunter S. Thompson that’s been translated into Mandarin and then back into English. Maybe this makes more sense if you’ve actually read Doom Patrol before? TM: My experience with the Doom Patrol goes as far as Grant Morrison’s run and their cameos in different DC events, and I ate up both issues like the multi-flavored burritos they are. There are lots of seeming non-sequiturs that are cute winks to Doom Patrol fans that the band is getting back together. I am fine with Way, Derington, and Bonvillain taking their time to introduce a proper arc that pulls everyone together. Randomness for its own sake can be irritating, but I am all about Young Animal’s approach for now. From Doom Patrol #1 by Gerard Way, Nick Derington, and Tamra Bonvillain Add to your Hunter S. Thompson and retranslations the meta-influence of Doom Patrol’s return during DC Rebirth and Vertigo reshuffling. Cliff is struggling to stay in one piece as always, but so is DC’s publishing line, effectively segmenting Vertigo into this Young Animal side avenue under Way. The Casey Brinke protagonist stand-in cycles between a job and videogames, and gets shocked into paying attention. I wonder how many of Way’s followers were weirded into reading more than one issue, let alone track #1 of a new comics series? You had a “WTF” experience, Charles. Was it fun? CPH: Yeah, it was definitely fun for a couple of issues. And there is a real sense that this is, as you say, the “getting the band back together” intro arc before we get into the ongoing adventures. So, I’ll be here at least through the end of this arc before making the decision whether this needs to go on my pull list or just isn’t for me. Shade the Changing Girl: From Shade The Changing Girl #1 by Cecil Castelucci, Marley Zarcone, and Kelly Fitzpatrick CPH: Funny story: I read Shade the Changing Girl #1 before Doom Patrol and I initially thought it was a tad hard to follow, but in retrospect it’s like a well-organized five paragraph essay next to DP. I really liked STCG. Maybe a tiny bit more background would have been helpful for new readers, but I guess all you really need to know is that Loma is a disaffected alien looking for a new adventure, she steals Rac Shade’s madness coat, and inhabits the body that Megan Boyer wasn’t really using. Watching Loma interact with Megan’s family and “friends” has been a lot of fun so far. We’re slowly getting the sense that Megan was a genuinely terrible person, and it will be interesting to see how Loma rebuilds Megan’s life and relationships (or not, as the case may be). The creative teamâ€"all women, I might note!â€"has done a fantastic job so far of creating an environment infused with madness. Not just the madness of Loma and Shade’s madness coat, which manifests in Zarcone and Fitzpatrick’s psychedelic imagery, but also the insanity of everyday life. There’s a real potential here to dig into some issues we don’t usually see in comics, such as how living as a teenage girl in the deeply sexist American society is enough to drive one mad. I’m really loving STCG so far, and hope it gets a nice long run to explore these issues. From Shade The Changing Girl #1 by Cecil Castelucci, Marley Zarcone, and Kelly Fitzpatrick TM: Part of my enjoyment of Young Animal’s material so far comes from the difficulty of spotting the “tether” between each book’s status quo and where it’s heading. A lot of superhero burnout can come from watching the limits of a book’s setup stretch to the same limit over and over until the reader sees the tether before it’s even moved. Shade The Changing Girl, though? I felt a lot like you did during Doom Patrol, Charles. I had no reference point that wasn’t built in real time, scene for scene. The combination of alien society, human society, and recurring trippy imagery kept me guessing from scene to scene. Any comic that feels like an ever-changing discovery is worth following. I think Young Animal is two for two in this roundup. What about you? CPH: Agree. I’m not sure I’ll stick around long-term for DP, but pretty much everyone else seems to adore the book, and STCG is promising a perspective we don’t see a lot in Big 2 comics. So far, the Young Animal relaunch is reminding me of the best of 1990s Vertigo, but with a contemporary flair. (Probably not a huge surprise, since both Doom Patrol and Shade, the Changing Man were in the Vertigo lineup when the imprint launched.) Here’s hoping it succeeds like early Vertigo in bringing that odd, uncanny voice to a mass audience. TM:  Heres hoping that any resemblance to the 90s fades away to transform into an all-new kind of touchingly weird. Thats it for Part One! Well see you next time to discuss Cave Carson Has A Cybernetic Eye and Mother Panic. Sign up to The Stack to receive  Book Riot Comic's best posts, picked for you. Thank you for signing up! Keep an eye on your inbox.

Case Of Ethical Dilemma In Healthcare - Free Essay Example

Sample details Pages: 4 Words: 1109 Downloads: 3 Date added: 2019/05/18 Category Health Essay Level High school Tags: Ethical Dilemma Essay Did you like this example? Research about patient confidentiality Patient confidentiality means keeping information that is personal to them and their situation away from any third party member. This issue can be a very controversial issue at times. Doctors are required to do all they can to protect, but sometimes protecting people will require them to break a patients confidentiality. Don’t waste time! Our writers will create an original "Case Of Ethical Dilemma In Healthcare" essay for you Create order For example, someone who has been identified with the HIV virus may choose not to let others know about their status, putting others at risk. In this situation, the healthcare professional is placed in an ethical complication (Wong-Wylie 35). If the professional chooses to keep the patients status private, others may be in harms way. If he notifies the third party members, however, the patient may lose trust in the doctor and terminate their connection; it is really a stick issue (Wong-Wylie 37). The American Psychological Association (APA) talks about this topic in their ethical standards 5.05. It says professionals should keep the patients information private unless doing otherwise is ?mandated by law or where permitted by law for valid purpose such as . . . to protect the patient or client or others from harm (APA, 1992, p. 1606) (Wong-Wylie 37). APA rules from 1991 concerning this also state that professionals in these situations arent to be forced to warn others, but if they make the decision to do so, they will be defended from action against them (Wong-Wylie 37). The Canadian Counseling Association (CCA) has three exceptions to disclosure they use: the first is when it is needed to keep the patient and others safe, when legal regulations demand it, and when it is needed to keep minors safe (Sumarah et al 16). Breaking a patients trust can harm their sense of hope, which is crucial to personal satisfaction and recovery. It may even cause the patient to avoid getting any more help with their issue at all (Wong-Wylie 38). This is a definite negative to breaking promises of confidentiality. If the issue is one that can be avoided by sensible people, then maybe an alternative action, such as counseling them about being responsible and the risks they may carry with them (Wong-Wylie 39). When dealing with younger patients, trust may be more valuable because they tend to rely and depend on it more than adults do and tearing that trust may cause greater internal pain for the younger patients (Blunt 3). A study performed in the late twentieth century showed that patients through their information should be kept private but understood when revealing some of it in a professional way would benefit public health and safety (Blunt 6). Another situation that can be examined is if a minor has revealed to a counselor or such that they are abusing drugs. The minor will expect to have this kept secret, yet shouldnt the counselor notify the someone such as the parents? Breaking the minors trust will cause harm to the patient but possibly keep them from harming themselves or others in the future (Blunt 6). The two sides of this argument are that doctors should be able to break patient confidentiality if needed and that doctors should not be able to break their confidentiality under any set of conditions. The pro-revealing side would see keeping that keeping a patients confidentiality when it couldve been sacrificed to save others as a bad choice while the other side would see that as the necessary action. Lets present the case referenced earlier concerning a patient with HIV/AIDS. If a patient who has this disease decides not to disclose the fact that they have this disease to others and puts them in danger, should the healthcare professional interfere and let people in possible danger know (Wong-Wylie 35). Application of consequence-based ethics (act utilitarianism) to my ethical dilemma Premise 1: Doctors must do whats best for their patients. Premise 2: Doctors must do whats best for the public health. Premise 2.1: Keeping the fact that the patient has HIV confidential poses substantial risks to public health. Premise 3: Patients have a right to know that their information is private. Premise 3.1; Revealing the patients information breaks the patients trust. Premise 4: Doctors should prevent the spread of pathogens and viruses if possible. Premise 4.1: Revealing the patients status may prevent HIV/AIDS from spreading further. Conclusion: Therefore, the doctor should break the patients confidentiality because it will possibly save people from contracting HIV/AIDS. It will also prevent the further expansion of HIV. The patients trust may be broken, but more people are helped with this route and the disease is quelled. But even afterwards, the patient may realise that it was for the greater good, so it may lessen the pain. Application of duty-based ethics to my ethical dilemma Premise 1: Doctors have a duty to protect people Premise 2: Doctors have a duty to keep a patients confidentiality. Premise 3: Doctors have a duty to prevent the spread of disease. Conclusion: Therefore, the doctor should break the patients confidentiality and disclose the information because doing so will protect more people and fulfill more of the duties than the opposite option will. His duties require him to choose to disclose the information. Application of virtue ethics to my ethical dilemma Premise 1: Choosing to break the patients confidentiality will allow the doctor to be redeemed personally. Premise 2: Knowing that he is preventing the spread of HIV/AIDS by breaking the patients confidentiality is good for his moral character. Premise 3: Knowing that he lost the trust of his patient by breaking the patients confidentiality is bad for his moral character. Conclusion: Therefore, the doctor should break the patients confidentiality because he will get more out of it morally than keeping the information private. Application of rights to the ethical dilemma Premise 1: The patient has a right to privacy. Premise 2: The public has a right to be able to avoid contracting HIV/AIDS. Premise 3: The public has a right to not have to worry about an increasing yet preventable disease. Premise 4: Right to life. Conclusion: Therefore, the doctor should break the patients confidentiality because it protects the most rights. It only breaks the patients right to confidentiality. Keeping the information private may even threaten some peoples right to life by allowing them to contract this slow yet deadly disease. Application of medical principles to the ethical dilemma Premise 1: Breaking a patients confidentiality violates his autonomy. Premise 2: Breaking the patients confidentiality is a beneficent act for the public. Premise 2.1: Breaking the patients confidentiality is not a beneficent act for the patient. Premise 3: Breaking the patients confidentiality is the least harmful choice. Premise 4: Breaking the patients confidentiality is a just act because it provides the most good for the most people. Conclusion: Therefore, the doctor should break the patients confidentiality because it promotes the most medical principles positively.

The Challenges to Henry VII Security Between 1487 and the...

The Challenges to Henry VII Security Between 1487 and the end of 1499 Henry VII faced many challenges to his throne from 1487 to the end of 1499. These included many rebellions and pretenders to his throne. To what extent was the success he dealt with them differs although the overriding answer is that by the end of his reign he had secured his throne and set up a dynasty, with all challengers removed. Lambert Simnel challenged Henry’s security when Richard Symonds passed him off as Warwick. Simnel was taken to Ireland, which had become the centre of Yorkist plotting. Margaret of Burgundy provided money and an army of 2000 mercenaries. They landed in Ireland in May 1487. Henry paraded the real†¦show more content†¦The success of the win was therefore undermined, as he did not have the full loyalty of his men at the battlefield. However, all in all, by using a large army to deal with the rebels demonstrated to other challengers the strength Henry had at his hands and this must surely be a success. Simnel was put to work in the royal kitchens. This was a successful way of dealing with Simnel as it showed Henry to be a merciful and forgiving man. Henry called a Parliament in November 1487. The nobles and gentry who had supported the rebellion were attainted and their lands were confiscated by the crown. This was successful as it made examples of these men to warn off other contenders or rebels. In addition, by attainting them and confiscating their lands, this meant that if a noble was to get involved in a rebellion not only would he be affected but so too would his family, heir and subjects. This was surely a lot more threatening then death. Henry quickly tried to mend relations with Maximilian. A new treaty in January 1488 restored friendly relations with close trading ties between England and Burgundy. As soon as Henry found out about the Simnel conspiracy he

Working in the Shadows Ch 4 Free Essays

Justin Falcone October 19,2012 Homework # 5 Chapter # 4 Journal In reading chapter 4 in working in the shadows we have seen that Gabriele is on his last week of training. Gabriele is giving the job to cut the four rows of lettuce that are in the path of the machine where the lettuce is stored in the boxes. Gabriele is realizing that 4 rows is a lot and his has to get them done. We will write a custom essay sample on Working in the Shadows Ch 4 or any similar topic only for you Order Now In this chapter you as the reader really realize all the courage, ambition and strength that Gabriel has. Gabriele has started cutting the lettuce the first day Gabriele couldn’t cut 25 heads before having to stand straight up and relax and stretch his back. Gabriele stayed strong and kept up with his cutting and as the days went up Gabriele has cut thousands of lettuce and was on his way to finish up his rows. In this chapter it tells us that Gabriele starts working with the rest of the group and tells us all the struggles that Gabriel is going threw. Between the aches and pains and the soreness, Gabriel needs to stay strong, it really allows us as the reader to wonder how hard these immigrants are working. As Gabriele goes on with his workdays no matter how hard he is working he is getting yelled out to work harder even though he believes that he is keeping up with the rest of the workers. Something that caught my eye that I feel this chapter was manly about was the immigrant worker towards the American workers in the United States. On a Sunday morning Gabriel went to visit Mateo, and the comments Mateo where making for me as an American worker in the United States take it personal. Basically trying to say that Mexican and immigrant workers work much harder where they work in there country, and that us Americans only sit in offices and work on computers all day. Something that was left out in this chapter could have answered these comments for me and for Mateo that we as Americans work harder then these immigrants think we do. Gabriele could have given stories or even experiences he had with working to back up us Americans. At least explain that the reason why immigrants get into the United States and take the labor jobs from many American workers is because immigrants allow the low pay and the extra hours of work, because it isn’t anything new for them. As seen in lettuce picking with the extra hours and the low pay, these immigrants don’t have a choice they need to take these jobs. Towards the end of the chapter Gabriele is explaining how hard this job is for him, one of the hardest and Gabriel has taking 2 days off to relax his body. This job I making Gabriele dream about it that how much he thinks about it and worries about going to work every day. After all in my eyes Gabriel realizes that this job is putting a number to him, but he will not quite, he will work threw pain and suffer no matter what. How to cite Working in the Shadows Ch 4, Essay examples

Robert Schlosser reinventing the audience Essay Example For Students

Robert Schlosser: reinventing the audience Essay Any salesperson knows that the best product is one that sells itself. Its this kind of sellers good fortune with which Robert Schlosser, audience development director for Los Angeless Center Theatre Group (which includes the Mark Taper Forum and the Ahmanson at the Doolittle), is well acquainted. If the recent bevy of successful productions at both the Taper (from Robert Schenkkans The Kentucky Cycle to Tony Kushners Angels in America) and the Doolittle (Neil Simons Lost in Yonkers) had anything in common, it was their built-in attractionsfrom Angels event status to Simons playwright-as-star durability. But Schlosser also knows how foolhardy it is for theatre people to think they are above selling their productnamely, plays, which must compete with home video, prime-time TV and the movies for the ever-crimped entertainment dollar. I operate by the philosophy that theres no excuse not to come to the theatre, says Schlosser, and part of my job is to remove as many impediments as possible that people put between themselves and entering the theatre. Name your strategy As the Tapers point man for coordinating ad campaigns, bringing in new audiences and hatching inventive schemes to make theatregoing as affordable as possible, Schlosser is in that rare positionperhaps only matched on the Tapers staff by artistic director Gordon Davidson himselfof keeping one foot in the artistic realm and the other in business reality. He has been able to witness virtually the entire history of the development of American nonprofit theatre, beginning in the early 60s with the famed San Franciscos Actors Workshop as subscription and box-office manager. When Actors Workshop co-directors Herbert Blau and Jules Irving took over Lincoln Centers Repertory Theatre in 1965, Schlosser followed them east and became their audience development director. In his 20 years at the Taper, one would assume that Schlosser has used every strategy to lure crowds to the Ahmanson at the Doolittle and the Tapers ivory palace at the Music Center on downtown Los Angeless Bunker Hill. But with Anna Deavere Smiths solo new work, Twilights Last Gleaming: Los Angeles, 1992, opening June 3, the selling of a Taper show presents Schlosser with new challengesand opportunities. As he tells it, the development of an audience for Twilight involves a creative approach that goes far beyond that used for many recent productionsfor Angels in America, Schlossers sales plan included papering gay bars with flyers for the play. Were building on what we learned from the past, attracting diverse audiences for everything from Zoot Suit at the Taper to Sarafina! at the Doolittle. Dry run for Smith Indeed, the 1991 Sarafina! project was in some ways a dry run for Smiths show. The South African musical moved into the Doolittle shortly after Davidson had assumed directorship of the Hollywood-based theatre, which has been serving as the home for plays intended for the Ahmanson (booked for over four years with the long-running Phantom of the Opera). But while the Ahmanson subscription base is one of the countrys largest (over 44,000 this year), its mostly Anglo makeup made it a difficult match with the Third World rhythms of Sarafina!. Traditionally, the Ahmanson crowd was drawn by the star name. Gordon wanted to develop a broader audience while keeping the Ahmansons more commercial side. Sarafina! had a big rep with the theatre community, but not with the general public. We got the word out through churches, and places in the African-American community where people came together. The shows box office started quietly, but by the end, with a larger African-American audience, the grosses were very high. .uca695c7b7cd07fe12688167512e39aee , .uca695c7b7cd07fe12688167512e39aee .postImageUrl , .uca695c7b7cd07fe12688167512e39aee .centered-text-area { min-height: 80px; position: relative; } .uca695c7b7cd07fe12688167512e39aee , .uca695c7b7cd07fe12688167512e39aee:hover , .uca695c7b7cd07fe12688167512e39aee:visited , .uca695c7b7cd07fe12688167512e39aee:active { border:0!important; } .uca695c7b7cd07fe12688167512e39aee .clearfix:after { content: ""; display: table; clear: both; } .uca695c7b7cd07fe12688167512e39aee { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uca695c7b7cd07fe12688167512e39aee:active , .uca695c7b7cd07fe12688167512e39aee:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uca695c7b7cd07fe12688167512e39aee .centered-text-area { width: 100%; position: relative ; } .uca695c7b7cd07fe12688167512e39aee .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uca695c7b7cd07fe12688167512e39aee .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uca695c7b7cd07fe12688167512e39aee .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uca695c7b7cd07fe12688167512e39aee:hover .ctaButton { background-color: #34495E!important; } .uca695c7b7cd07fe12688167512e39aee .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uca695c7b7cd07fe12688167512e39aee .uca695c7b7cd07fe12688167512e39aee-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uca695c7b7cd07fe12688167512e39aee:after { content: ""; display: block; clear: both; } READ: The characters in the play EssayTo ensure that this diverse audience would return for such productions as August Wilsons The Piano Lesson, Schlosser asked Chay Wafer, his community liaison at the time, for ideas. Schlosser instituted Wafers suggestion: pay-what-you-can and public rush ($10 a ticket, purchased minutes before curtain). Every resident theatre offers subscription, perhaps a pass or coupon offer, and group sales. But there was great resistance to pay-what-you-can and public rush among theatre business managers, who think that such offers take away from single, full-priced ticket sales. Weve disproved that. A couple last year told me that they had $80 budgeted f or theatre-going, which at the Doolittle would mean one show, $40 apiece. With public rush, they can come to four shows, and more important, they get into the habit of going to the theatre. Ticket deals, though, arent enough. Outreach into the citys widespread communities, says Schlosser, is absolutely crucial. Weve come to see it as our responsibility to put a lot of effort into engaging the people who are being dramatized on stagemuch as Smith has been doing, he notes, in the process of creating Twilights Last Gleaming. Employing the same process she used in her acclaimed Fires in the Mirror, Smith has interviewed scores of residents from diverse Los Angeles communities since August for the material from which she builds her text. The long list of contacts even created a community task force with broad ethnic representation to organize a word-of-mouth campaign for the show. It wasnt true a few months ago, but now, if you ask people in South-Central or Koreatown who Anna Deavere Smith is, they know her. Shes been with them, Schlosser points out. The challenges of luring people away from the safety of the living room and the tube never cease, however. The Tapers subscriber base has dropped to 24,000 this year from 27,000 three years ago, a trend Schlosser calls concerning. Thats a significant drop-off, he suggests. Were doing everything we can to build it back up again. But everyone is hurting in this recession. Besides, Schlosser knows that there is nothing like a play by Neil SimonJakes Women playing at the Doolittle/Ahmanson this springto make up for bad times.